Research Paper on Stereotypes Example | Topics and Well Written Essays - 1000 words

On Stereotypes - Research Paper Example One understanding of stereotypes is that they emerge to exploit differences between competing groups. Stereotyping downplays similar characteristics and magnifies differences. One sees this occur among African-Americans, whose identity clearly goes more in-depth than racial background, as they are more American than African. However, American society consistently splits itself on lines of black vs. white. Another theory of stereotypes relies on psychological research and claims that for human beings it is too difficult to process all the nuances of individuality so stereotypes function to help cognitively organize groups of people. By assigning characteristics to large groups, it aids humans in simplifying, organizing, and predicting the society they function. As a result, there is decreased need to process new information that would distinguish people by individual traits. Sociologist Charles Hurst believes that, â€Å"†¦stereotypes (are) the lack of personal, concrete familia rity that individuals have with persons in other racial or ethnic groups. (Hurst 6).† In these regards, it’s clear that lack of familiarity encourages the lumping together of unknown individuals. Whatever the theory, it’s clear that stereotypes present a problem for society as they inhibit integration and function in large part to maintain a social caste system where upward mobility faces resistance. One can just view the cases of the maquilos workers on the Mexico – Florida border and the gender stereotypes they endured when attempting to receive fair and equitable wages and positions. Stereotypes are in direct opposition to our right as human beings to the pursuit of happiness and personal betterment. While stereotypes exist for a variety of reasons, it’s clear that there are a number of stereotypes that have emerged that are regularly believed by large groups of the general public. One of the major areas of stereotyping occurs in the area of gend er. In these regards, men are presented as needing to be concerned with sports and ‘manly pursuits. Oftentimes, there are stereotypes presented of woman, such as blondes as being outgoing and fun loving, while girls who read having a prudish edge. One comes to witness a great degree of gender stereotypes in phrases such as ‘you should never hit a girl’. As within such statements there is the belief that men should be weak and men physically strong. Another area of stereotyping occurs in terms of race. Race constitutes one of the major areas where stereotyping occurs. For instance, Mexicans are depicted as lazy, while Asians are depicted as being studious and career driven. Still more stereotyping occurs in regards to religion. If one speaks to individuals very familiar with sects of Christianity, for instance, they will oftentimes report that Baptists have different attitudes than Catholics or Lutherans. In addition, there are a wide variety of stereotypes regardi ng practitioners of Judaism, with these individuals being thought of as thrifty or intellectual. Finally, stereotyping also occurs in regards to people’s sexual preferences. In regards to sexual preference, gay individuals are oftentimes depicted as speaking with a lisp or doing fantastical or ‘fabulous’ things. They are also believed to wear specific types

American Policing Essay Example | Topics and Well Written Essays - 500 words

American Policing - Essay Example was characterized by crime control, efficient organization, professional remoteness from the community, hiring of competent and qualified personnel in curbing police inefficiency, and it stressed on preventive rapid and motorized response to crime. Police officers standardized and routinized police work, officers were mandated to enforce law and make arrests whenever they could. Further, when specific problems arose, special police units such as tactical or juvenile were established to deal with the issues rather than giving problems to patrol officers (Cole & Smith, 2004). These characteristics squared with those principles suggested by Robert Peel in that, they emphasized on the importance of preventing crime and disorder in society. In addition, during the professional era of policing, the stressed on the need of public approval to be efficient and effective which are in agreement with Robert’s tenets of policing. In addition, if the police used force in enforcing law and order, the degree of cooperation with the public declines. In addition, the police must obtain the willing cooperation of the people to respect and obey the law in order to get respect of the public. Further, the police are allowed to apply force only after using all other means to get compliance from law breakers. Lastly, the police just like other members of the public too belong to the public who are discharging their service to secure the welfare of the society or public (Cole & Smith, 2004). Community oriented policing was created as a result of increase in crime. The community oriented policing brings government officials, community, professionals and neighborhood together to trace and solve problems within community and partner together to solve these problems. The concept of community policing was created to reunite the community by reducing crime and fear in society. The interaction between the police and the community can help reduce fear and crime in society. Community policing

Should Museums Charge For Admissions Advantages Disadvantages Economics Essay

Should Museums Charge For Admissions Advantages Disadvantages Economics Essay Museums are expensive to run, with the costs of acquisitions, conservation, maintenance, staff salaries and special exhibitions all weighing heavily upon their budgets. In many cases much of their funding comes from the government, whether at national or local level, with the remainder made up through endowments, income from museum shops and other commercial ventures, private donations and sponsorship, and, very often, through entry fees. By for-profit standards, museums are illogical. Museums have a business model with costs much greater than their revenues. In a non-profit organization, an admission fee wont even begin to cover the costs of delivering its service. Museums have found various ways to increase their income opportunities, for example through gift shops and restaurants. Logically, lowering the admission price, would increase the amount of visitors, these visitors would spend more money in gift shops and restaurants and could possibly result in a higher income. On the other hand, a museum misses out on extra income through admission fees. Is there an equilibrium price? And what are the alternative pricing options? The research question in this paper is: Should museums charge an admission fee? Literature on this issue provides this paper with a theoretical framework, next I will explore the effects of digitalization for museums. A Dutch case study, done by Aarts de Jong Wilms Goudriaan Public Economics (APE) will complete the answer to this question. Museum economics: Museums have high fixed costs. This results in a high average cost curve for museums. The demand curve often lies below this average cost curve. This makes it impossible to set an entrance price at which the total amount of income received through admission fees covers the costs of the museum. (Frey, 2006; Caves,2000) However, admission prices are of the main determinants that influence the economic outcome of a museum. The economic value of a museum is often very high as a result of its collection and location. To increase revenue however, museums do not only depend on admission fees but also on the income that comes from museum gift shops, restaurants, and renting possibilities. Additionally, museums receive a great deal of support, sponsoring and donations. For example, for Boijmans van Beuningen Museum Rotterdam only 20% of its total revenue is derived from direct revenues, while 80% is derived from subsidies. For some Dutch museums however, revenue derived from entrance fees can be up to 50% (Munster et al. 2008). Most museums receive governmental or public support, for the government, their economic performance is of high interest for policy makers. In all cases, entrance fees prove to be a very important determinant that influence the economic outcome of a museum. Questions about what role museums are playing, should play and will play in society, are today subjects very much under discussion. Is the museum a storehouse for things and memories, a showground, a centre for education, a playground for academics, a castle for people with a suitable habitus the way Pierre Bourdieu describes it, or an institution with an important role to fulfil in peoples life and a far-reaching part to maintain in the development of a society? In his article, National Museums: To charge or not to charge? OHagan explains that the most important function of a museum is educational. This function involves people educating and informing people concerning their past and origins, and if finance permits those of other peoples, through the artefacts of the museum, thereby contributing to the formation of a sense of the countrys identity and position in the world. For education only however, physical presence is not entirely necessary and especially in the digital world a museum is able to perform its educational role partly through the use of Internet. With this educational function in mind, charging an entrance fee would limit certain groups of people in accessing the museum, and therefore learning about its content. For museums admission fees maintain to be an important determinant of its revenues therefore museums use pricing options, such as price discrimination. Price differentiation occurs when a firm charges a different price to different groups of consumers for its service, for reasons not associated with costs. Students, children and elderly are often charged less than normal adult visitors. Only a minority of visitors pays the full entrance price. There is however one issue when looking at cultural organizations. The price elasticity for cultural demand is rather low which means differentiating in price does not result in a significant change in demand. As a result of this by raising its entrance price, a museum can generate a significant increase in revenue. Given the income of a consumer (i.e. the spending limit), prices and individual preferences result in a package of goods and services that best satisfy their individual utility. This economic optimization process leads to certain fe atures in which demand for different goods and services such as visits to museums depends on income and prices. Not only the price of the museum itself, but also the price of competing leisure activities and additional costs, such as travelling expenses play an important role in consumer behaviour. However tourists are less likely to feel limited by the admission fee. (Frey et al. 2006) The influence of competing leisure alternatives depends on the character of a museum; For a museum that is highly competing with other leisure alternatives, the price sensitivity of the visit turns out to be higher. In contrast, highbrow and unique museums show that their visitors are less sensitive to price changes. Blockbusters have also shown to be very price-inelastic. (Goudriaan et al, 2007) People with higher incomes tend to be higher educated and more developed preferences for cultural activities (Frey, 2006; Throsby 2001) People who are accustomed to visiting a museum to visit, are not inclined to change this behaviour when their income decreases or admission fees increase. On the other hand, people who are not accustomed to a visiting a museum are insensitive to the incentive free of reduced admission are ought to give. (Goudriaan et al, 2007) Digitalization allows museums to exhibit their collection online, this allows the museum to educate people online. Physical presence is no longer necessary to receive education about the museums artefacts. This could potentially lower the amount of visitors entering the museum. However, most museums gain great benefits from using the digitalization to their advantage, they educate and communicate with their visitors through the Internet. To charge or not to charge? Much has been written about the advantages and disadvantages of setting the admission price of a museum to zero (OHagan 1995; Anderson 1998; Baily and Falconer 1998). In for example the United Kingdom, national museums grant free entry to their visitors. More and more services have free access, such as the Internet, newspapers, unauthorized downloading, public transport etc. As a result, free access has gained popularity. Free access to museum has advantages, it enables all people to be able to visit the museum without getting charged. This might attract a new and bigger audience to experience the museum. In his article, Kirchberg (1998) found that income is the dominating characteristic influencing the subjective significance of entrance fees as a barrier to visiting museums. People in lower social classes experience admission charges as a barrier almost five times as much as higher sociological classed people. Increasing entrance fees increases revenues but according to Kirchberg, not only decreases the number of visitors but also change the socio-economic composition of the attendance. Distributing welfare is mainly the reason for subsidies, in the case of museums the distribution argument does not really hold up: studies have shown that visitors to a museum usually come from higher social classes. People from higher social classes can afford to pay an entrance fee, in practice this means that subs idizing admission prices, does not transfer welfare to lower social classes. Another benefit of free entry to a museum is that is increases the amount of visitors. For a museum, a high number of visitors often reflects cultural prestige (OHagan 1995). In his article OHagan also points out that donors prefer non-profit firms. With higher entrance fees, donors are less wiling to donate money or artefacts. The marginal costs of an additional visitor is zero, therefore another argument for free entry to a museum is the efficiency argument: entrance fees should then also be zero to satisfy efficiency (Frey, 2010). On the other hand, literature suggests that there are problems in determining the costs of museum services (Baily and Falconer 1998). There are still costs in allowing visitors into a building, they require security, heating, light and physical space). Free access also has disadvantages. According to Frey, efficiency is not attained if the respective museums get overcrowded and the quality of a visit decreases. This results in museums limiting visitors by enhancing admission restrictions, such as requiring visitors to place a reservation in advance. This raises the danger than tickets can be sold on the black market, a visit then cab still become a costly experience. Visitors can also think that something that has no price, has no value resulting in a decrease in a museums total revenue. In his article Steiner (1997) calculates the impact of free entry for one day to the total revenue of a museum. His study shows that the amount of additional visitors does not overcome the loss of the admission charges it would receive on a normal day. Additionally, the crowd of people the museum attracted contributed to the loss of value of the exhibition. Most of the museums that offer free access, charges for access to special or blockbuster exhibitions. Another strategy for free museums to make visitors pay is asking for a donation at the end of the visit. By doing so, they museum captures the wiliness to pay form visitors (OHagan 1995). A visitor is not obliged to pay, but often willing to do so as they enjoyed the visit. The more satisfying the visit, the more a visitor is willing to pay. This is also a better distribution of welfare, as the social higher classes have to ability to pay more, and the lower social classes have the ability to pay less. With free entrance leading to a higher amount of visitors, exit donation can bring in significant extra financial resources for a museum. Prices can be differentiated to allocate the resources as efficiently as possible. According to Frey, when demand is low, prices should be kept close to zero. When demand is high, prices can be higher to avoid overcrowding, This enables visitors with the highest willingness to pay to enter the museum. People with a low price elasticity should be charged higher prices than visitors with a high price elasticity of demand. Finally, price can be differentiated when visitors target a special exhibition, normal collection should be priced lower. Another option is to charge local visitors less than foreign visitors or tourists as tourists have a significantly lower price elasticity of demand than locals. Often, when visiting a city, visiting the museum is a must, and the additional costs of entrance fee are often easily paid for. Another argument for entrance fees is that the extra benefits a visitors receives from going to a museum, added to for example the existence value (Frey, 2006) should be paid for. As pointed out before, price elasticity of demand for cultural services is low, therefore ticket prices may not be the best explanation for demand. OHagan finds that, when The Long Room of Trinity College Dublin stated on entry that admission prices are required to improve the quality of the visit, the amount of visitors raised. Another variant of entry fees is creating a museum club. A fixed contribution is required to become a member and receive free entry to the museum. For culturally active people, this is a good solution and often cheaper than paying full entrance fees. For a museum, it has the same advantages and disadvantages of free entrance but it raises revenues (Frey, 2010) Problems with pricing is that it is often considered unfair. Considering the main role of a museum is education, it should be free for everyone to visit and become educated. In his article, Frey proposes a whole new pricing mechanism for museum: the application of exit prices. Instead of charging visitors when they enter a museum, they are charged on exit. The amount of time spent in the museum sets the exit price. A disadvantage of this proposal is that the length of visit becomes a great part of an economic calculation. A major advantage is that the experience of the visit, is charged afterwards. If the experience was not satisfying for the visitor, he/she would leave early and pay a lower price. Visitors pay for their use of the facility, this raises efficiency. The price system can considered to be less unfair, because up to a certain point, people can set their own prices. Frey also opts for the first 20 minutes to be free of charge, so that people who normally would not visit a museum, receive an incentive to stay only for a short period, maybe they will return later for a longer visit. The Dutch case study Aarts de Jong Wilms Goudriaan Public Economics (APE) has been commissioned by the ministry to research the possibilities for free entry for Dutch museums. In several extensive research papers, they calculate the effects of free entrances fees. Table 1: The quantitative effects of free entrance on all Dutch museums: Additional visits (x1000) Increase in visits (%) Total costs (x1mln.) Total cost per extra visit in Euros Free entry to the entire collection 5.867 30,0 98,9 17 Free entry every Sunday 416 2,1 23,4 56 Free entry once every month on Sunday 183 0,9 6,0 33 Free entry during one working day per week 267 1,4 11,2 42 Free museum card for students 1.623 8,3 12,3 8 Free entry to general collection 5.207 26,6 81,9 16 Source: APE Table 1 shows that the effects on the number of visits are most significant when free entry is given to the entire museum, including general collection and special exhibitions, followed by free entry to the general collection only. Both options also bring in the highest overall costs for the museums, costs per extra visit are relatively low because there is no real shift in the amount of visits from days on which visitors are charged, to days visitors are not charged an entrance price. A weekly free entry on Sunday raises the most costs for the museum because a shift appears from days on which visitors are charged to days visitors are not charged any admission fee. In all cases, the loss of entrance fees causes the greatest deal of costs for a museum. Their research shows that free entry increases the number of visits, but they state: we do not expect miracles to happen from removing entrance fees. The composition of visitors has proven to be very difficult to change. In another research, done by APE they have calculated the price elasticity of Dutch museums. From 1984- 2005 admission prices raised with 6,2% per year, this does not lead to a significant change in the umber of visits. They show that with a price elasticity of -0,18 the museum sector has the lowest price elasticity of all cultural sectors. With every 1% increase in price, visits reduce by 0,18%. According to the research this is a result of the fact that potential visitors value travelling expenses and consumption costs to be more important than admission prices. The price of substitutes is a major determinant for the number of visits to a museum: when substitutes raise their prices, the number of visits to a museum increases and vice versa. Ape also predicts price sensitivity for 2005- 2015: Figure 1: Predictions for changes in admission prices 2005-2015 Source: APE The index shows that the number of visits to a museum is unlikely to be affected by an increase or a decrease in entrance prices. Conclusion Museums have high fixed costs. This results in a high average cost curve for museums. The demand curve often lies below this average cost curve. This makes it impossible to set an entrance price at which the total amount of income received through admission fees covers the costs of the museum. However, admission prices are of the main determinants that influence the economic outcome of a museum. To increase revenue however, museums do not only depend on admission fees but also on the income that comes from museum gift shops, restaurants, and renting possibilities. Additionally, museums receive a great deal of support, sponsoring and donations. Museums have different roles to fulfil, educating is one of them, as is collection and researching. An important goal for many museums is reaching groups far from consuming culture. Other goals are financial revenue, conservation and gaining prestige. In this essay, various literature has been discussed offering different pricing options. The most important ones are free entry and efficiency admission fees, which both have advantages and disadvantages. Free entry is likely to increase the number of visitors, but museum visitors often come from higher socio-economic classes, which transfers the benefits from no entrance fee mostly to these upper classed visitors instead of the social lower classes as it is intended to. The existence value shows that museums radiate positive external effects for non-visitors, this effect supports free entrance. However, the benefits for visitors are higher than for non-visitors. Low price elasticity for museums helps support the argument for admission fees. There are various pricing options. Standard pricing is considered to be unfair, as it does not consider the willingness and ability to pay for visitors, considering the educating role, different groups of people should all be able to enter the museum. Prices need to be differentiated, allowing elderly, students and other groups to enter for a reduced price to match their ability to pay. Another option is to charge local visitors less than foreign visitors or tourists as tourists have a significantly lower price elasticity of demand than locals or the application of exit prices. The case study by APE, shows that removing entrance fees only results in a significant increase in the number of visitors when all Dutch museums would remove their entrance fees. As a result of a low price elasticity for museum visits, a change in price does not significantly affect the demand for a museum. These findings indicate that free entrance is not the best option for a museum to reach many people. Price changes do not affect the number of visits that much, a museum is better of differentiating its price in a way that lower socio-economic classes are still able to afford a visit if they decide to. Since higher socio-economic classes continue to be the most dominant visitors in a museum, an entrance fee will not likely decrease the number of visits. Entrance fees can contribute to a museums revenues and allow a museum to generate extra income that can be spent on increasing the quality of the experience for visitors.

Major League Baseball :: essays research papers

  Ã‚  Ã‚  Ã‚  Ã‚  In early May 2002, a ban that the management of Major League Baseballs’ Seattle Mariners imposed requiring non-admittance of any fan wearing a tee shirt saying, â€Å"Yankees Suck† was finally lifted. Telling the Seattle Mariner fans that the word â€Å"suck† was offensive and had no place in a family atmosphere, was out of line to many. The backlash from the fans was overwhelming to the point that Mariners management had no choice but to lift the ban. The ban caused three major backlashes: It angered season ticket holders, it told the fans that the first amendment could be twisted at the ballpark, and it tried to strip fans of team spirit and pride. Mariner management ignored the minor uprising as long as possible until the ban reached near boiling point levels. Things have since settled down in Seattle, but hopefully Mariner management will not try a stunt like the ban anytime soon.   Ã‚  Ã‚  Ã‚  Ã‚  Being a season ticket holder means a great deal to fans who love going out to the ballpark. When a security guard at the front gate doesn’t allow entry because of a tee shirt the ticket holder is wearing, to say it would cause the ticket holder to be angry is an understatement. If purchasing season tickets doesn’t guarantee entry into the stadium merely on the fact that some people find the word â€Å"suck† to be offensive was a travesty to season ticket holders. As a matter of fact, the word â€Å"suck† is being used by children today than in most the Mariner management’s lifetimes. Telling grown up fans to act as management wants to is fascism in a corporate disguise. When someone buys a ticket it is expected that the buyer is to act like a civilized human being, but don’t make up new standards for the fan to abide by.   Ã‚  Ã‚  Ã‚  Ã‚  The first amendment is what makes America work, so when Mariner management tried to tell fans they couldn’t wear a belief on a tee shirt, it sent mixed messages to the fanbase. It is well known what words are truly obscene in today’s world, but the word â€Å"suck† has not been truly offensive since â€Å"Ozzie and Harriet† was still on prime time. To say that the fanbase would be offended without taking a census of some sort or another was censorship in a way. A fan wearing a shirt with the f-word not being let in is different than a fan wearing a â€Å"Jesus Rules† shirt in.

Fad Dieting (Cause & Effect Paper)

Often times the media portrays celebrities as attractive, skinny people that live wonderful lives of fame and fortune. It is easy to say that such popularity exists as a direct result of their physical appearance and therefore leads people to associate prosperity and happiness with looks. Sadly this media focus brings people to believe that dieting is necessary because they need to be skinny in order to feel accepted by society. One way people attempt to lose weight and change their appearance to resemble a celebrity’s is through dieting, especially fad dieting.Fad dieting is a quick, yet unhealthy, way to lose weight in a short amount of time. There is not necessarily one fad diet that people turn to in efforts to lose weight, but a variety of them that all serve the same purposes. The primary goals of fad diets are to show quick results, easy implementation into daily routine and remarkable improvements in the overall views a person holds of themselves. They do this by speci fying which individual foods or combinations of foods should be eaten, setting certain times people must eat and even completely eliminating certain types of foods from someone’s usual diet (Freedman, 2013).Some of the most common fad diets include the Atkins Diet, the Rotation Diet and the Zone. The Atkins Diet recommends that dieters eliminate carbohydrates from their eating, the Rotation Diet suggest specific times that foods should be eaten and the Zone stresses the consumption of specific combinations of foods in an exact proportion of 40/30/30. Each diet obviously attacks weight loss from different perspectives of dieting and therefore presents more opportunities for people to find the one that fits them best. This is another reason people turn to fad dieting.When a product promises quick results with simple steps to reach a targeted weight, it seems too good to be true. This feeling of disbelief occurs simply because a healthy diet that delivers fast, accurate results does not exist. Despite the fact that varieties of fad diets are available for people to choose from, none of them support a healthy way of losing weight. Not only that, but the results do not tend to last. Fad diets cause quick weight loss, but such results are only short-term. According to the first paragraph in Marjorie R.Freedman’s article, Fad Diets, on FAQs. org, â€Å"As many as ninety-five percent of people who lose weight gain it back within five years† (2013). In addition to dieters gaining back the weight, some also experience other health problems caused by the diet itself. The Weight Loss and Fad Diets 2011 article on Better Health Channel suggests that symptoms of dehydration, weakness, fatigue, nausea, headaches, constipation and inadequate vitamin and mineral intake may be caused by fad diets because they cut out key foods necessary to the well-being of a person.The bottom line to fad dieting is getting the user to take in less energy than they are requ ired to use for everyday tasks; resulting in the lack of energy that causes the side effects listed in Weight Loss and Fad Diets. However, many of these side effects are avoidable. There are alternate ways to losing weight that many people do not consider because they do not promise drastic weight loss in short periods of time. Although this is true, other diets promote healthier weight loss and tend to reveal long-term success.In comparison to fad diets, healthy diets do not necessarily target water weight that will eventually be gained back. They focus on improving balanced eating plans with incorporating more exercise into one’s daily schedule. With this type of dieting, users gradually begin to change their lifestyles by forming healthy habits that will last. They do not need to face all of the struggles that accompany fad diets and their harsh demands that assure fast but temporary weight loss. MD Margo A.Denke’s article Metabolic Effects of High-Protein, Low-Carb ohydrate Diets in The American Journal of Cardiology volume 88 refers to fad diets and the fact that â€Å"claiming an enhanced sense of well being is hardly appropriate for a traditional diet—most patients report dissatisfaction from the constant vigilance over dietary intake. † Miracle foods and quick results scream caution when it comes to diets. Such claims often lead to short-term effects that leave dieters unsatisfied.Choosing to use traditional, healthy diets not only improves one’s well-being in a safer manner, but also teaches them to incorporate the habit of healthy eating and exercise into their everyday routine. Fad diets lead consumers into believing that losing weight quickly is the way to go when in reality gradual dieting is more beneficial and leaves people with a greater sense of accomplishment. References Denke, M. A. (2001, July 1). Metabolic Effects of High-Protein, Low-Carbohydrate Diets. The American Journal of Cardioogy, Vol. 88. Retrieve d March 7, 2013, from

Citizen Kane †innovative techniques Essay

Citizen Kane, a classic American dramatic film, is considered to be the ultimate classic masterpiece and the world’s most famous and highest rated film, as it is ranked the number one best film of all time. It was the first movie Orson Welles, a theatrical genius, co-wrote, directed, and produced at only an age of twenty-five years. The subject of this movie is the life of Charles Foster Kane, known as Citizen Kane, which is played by Welles himself. Dating back to 1941, Citizen Kane set a high standard for the art of cinematography as it made cinematic advances and technical innovations on many fronts. A new style of film making was created with innovations varying from the use of deep focus technique, camera positions and angles shots, story telling and aural techniques. The most innovative technical aspect of Citizen Kane is the extended use of deep focus technique which is considered to be the most significant contribution to cinematography. This technique allowed him to photograph backgrounds with as mush clarity as foregrounds, as opposed to having only the people and things in the foreground in focus. Such a technique is noticed in the scene where Kane’s parents are filmed discussing his future while he’s seen through the window in the foreground playing outside in the snow. Deep focus makes possible for the film maker to showcase overlapping simultaneous actions, where the mise-en-scà ¨ne becomes more significant since the physical environment in which the film takes place should be then taken into account. Besides, is it important to note that the cast members that Welles’s had chosen for his film had never made a movie before and were all classically trained theatrical actors. Their theatrical background played an important role and had an impact on the success of techniques like deep focus, since actors were placing themselves firmly in each scene. Moreover, another unorthodox method used in the film was the low-angle shot. This technique tends to elongate a person or object, making him or it seem more important. They were used to display a position facing upward, thus showing ceilings in the background of the scene. Such camera positions and angles were important in Citizen Kane, since they had artistic and psychological effects. That technique gives an added power to the person on the screen, which turned out to be Kane for most of the scenes. It  intimidates the viewers since they found themselves in the inferior position of looking up. In fact, it is that excessive use of those shots that bent Kane and made him grotesque to our responsiveness. In addition to that technique, we have witnessed in the film several scenes which depict characters moving across rooms, and having the floors and ceilings moving with them. This unusual technique tends to dehumanize the characters by plunging and reducing them to some ornaments in a shifting or moving architecture. Welles also carried over creative storytelling techniques, from flashbacks to techniques that relate successive episodic sequences. What is meant by the latter is the making of adjacent scenes on a same set, but having the characters changing their costumes and make-up during the cut in between the two scenes. In this way, the following scene would be taking place in the same location of the previous one but at a time long after the previous cut. On the other hand, flashbacks were greatly used in the film: telling Kane’s life story entirely in flashbacks was another innovative approach to storytelling. Other types of cinematic advances are the aural techniques, which were definitely related to Welles’s experience with sound from radio. Sound effects were intensively but skilfully used in the film to create moods and emotions, such as the cold echo heard at the monumental library, in the scene which put on view the reporter and the daunting librarian. In addition to mounting the potential of sound as a producer of moods and emotions, we witness in Citizen Kane a remarkable aural innovation, known technically as the lightning-mix, which is used to link between different scenes via related continuous series of sounds or phrase. Here, the continuity of the soundtrack, not the image, gives a smooth seamless narrative jump between two different scenes. To illustrate that technique, we can recall, in the beginning of the film, the scene where the guardian of Kane, who was still a child, wishes him a â€Å"Merry Christmas†, after which we suddenly jump to a shot of Kane, fift een years later, hearing â€Å"and a Happy New Year†. In addition, Welles had many others innovative techniques such as the use of  glasses and mirrors which can be seen through out the movie, to enhance the effect of the movie. We can recall the last scenes of the film where Kane is left alone, where in one of the scenes; he passes in front of a set of mirrors in the background of the set. Besides, Welles’s use of lighting and shadow was impressive, having camera set-ups designed to frame characters in the oblique angle of light and shadow created by their environment. Finally, we cannot but admit that Citizen Kane introduced Hollywood to the inventive, creative and productive potential of cinematic techniques. All the department of visuals, special effects, sounds and screenplay shows innovative techniques. The art of filmmaking was immensely affected by the technical brilliance of Orson Welles. Bibliography http://en.wikipedia.org/wiki/Citizen_kanehttp://www.sparknotes.com/film/citizenkane/section2.rhtml